When your son can’t look you in the eye…does that mean he’s guilty?
Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. But he has a special focus on one subject – forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right.
But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are directly in the spotlight. For Jacob’s mother, Emma, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it’s another indication why nothing is normal because of Jacob.
And over this small family, the soul-searing question looms: Did Jacob commit murder?
Perennial bestseller Picoult (Handle with Care) has a rough time in this Picoult-esque blend of medical and courtroom drama that lacks her usual storytelling finesse. Eighteen-year old Jacob Hunt has Asperger’s syndrome, and his devoted single mother, Emma, has built their family’s life around Jacob’s needs, sacrificing her career to act as his caregiver and all but ignoring a younger son, Theo. But when Jacob is accused of murder, that carefully crafted life comes apart, and all of the hallmarks of Jacob’s diagnosis begin to make him look guilty. Emma hires a young attorney whose attachment to Jacob brings him close to the family as he struggles to mount a defense for Jacob, whose inability to read social cues makes him less than an ideal client. While Picoult’s research is impeccable and she deals intelligently with charged questions about autism and Asperger’s, the whodunit is stretched sitcom-thin and handled poorly, with characters withholding information from the reader throughout. Picoult’s writing, line by line, is as smooth as ever, and she does a great job of getting into Jacob’s head, but the wobbly plotting is a massive detriment. (Mar.)