In this captivating New York Times bestseller, beloved author Gregory Maguire returns to the land of Oz and introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Is he really Elphaba’s son? He has her broom and her cape—but what of her powers? In an Oz that, since the Wizard’s departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?
Review From Publishers Weekly
With a voice that sounds a bit like Richard Dreyfuss on helium, Maguire does a solid if somewhat unconventional job of narrating his own novel. His pace, like his prose, is deliberate and thoughtful. His creativity and imagination shine in his ability to provide his strange characters (not a human among them) with equally unusual voices. It is not the tonal range that makes his delivery interesting, though; it’s the cadence and timbre of the voices that win the listener over. Liir, who may or may not be the son of the Wicked Witch of the West, is read with a detached, depressed air, an adolescent with ennui looking for his lost half-sister, Nor. Candle, the Munchkin girl who becomes his sweetheart, has a voice that sounds almost like backwards masking. A short interview with Maguire is an added value on the final disc; he says he enjoys the recording process and that the inspiration for the book was twofold: the many letters from young fans asking what happened to Nor, last seen as a chained political prisoner, and seeing the Abu Ghraib torture photographs. This one-two punch left an itch that could only be scratched by writing Son of a Witch.
Review From School Library Journal
Adult/High School–Son picks up where Maguires highly successful Wicked (HarperCollins, 1995) left off, with the death of Elphaba the Wicked Witch of the West. She left behind a daughter, Nor, and Liir, who may or may not be her son. After her death, he enters into a decade of listless soul searching. He travels for a time and then joins the military, enjoying the structure it provides his life. But eventually his rearing by the Witch as well as his possible heritage catch up to him and he finds himself in demand to start a new revolution against the tyranny of Emerald City. An odd series of disfiguring murders starts occurring all across Oz. Liir discovers that the new Emperor sits behind the machinations and uses the strange killings to spread distrust among the various races of the land. Wielding Elphabas flying broom and donning her magical cape, Liir makes some small but bold gestures that help the populace of Oz and replants the seeds of hope that Elphaba spread a generation before. Son is a tighter work than Wicked, making deft use of flashbacks and varying viewpoints to create a quicker pace. And Liirs quest–both to find himself and to save the people of Oz–is easier to believe than the motivations that drove the bitter yet heroic Elphaba. A well-written, well-crafted fantasy that can stand on its own.–Matthew L. Moffett, Northern Virginia Community College, Annandale